The latest software update, version 2.8, adds a vastly expanded set of MIDI capabilities.
Since we last reviewed the MPC line, Ableton Live compatibility has been added, not only allowing MPC creations to be exported as Live projects, but also providing mapping to use the hardware as a wireless Live controller. In all, it doesn’t feel like too much of a compromise in exchange for truly self-contained, portable music-making. The latter of these isn’t too big a hindrance as Akai’s own suite of effects and synths is comprehensive and covers most bases to a pretty high standard. There are some restrictions when using the software in standalone mode, compared with the desktop version, primarily a limit of eight audio tracks and no access to third-party plugins. That said though, you can’t knock the capabilities here. It lags behind some rivals on the sampling front, but on the whole, the MC-707 is powerful, well-designed and a lot of fun. Some firmware refinement is needed to justify its price, but there's a lot to like about this inspiring and intuitive standalone sampler. It fits well with the rechargeable battery too, making it easy to up sticks and work on an idea away from the studio. We still wouldn’t rely on it for mixing or in-depth sound design, but for setting up kits and bashing out patterns it works nicely. I’m forced to admit though, it’s a nice addition here.Ĭrucially, the Live II’s speaker actually sounds good, offering decent volume, a surprisingly good stereo image and – crucially – a fair amount of low-end presence. We’ve waxed lyrical on multiple occasions about our scepticism of the need for companies to keep adding speakers to their synths and grooveboxes – they rarely sound decent, offering no substitute for headphones or proper monitoring and – in the case of Volcas, POs, etc, – have more capacity to annoy those around you than aid your music-making.
The most obvious update for the MPC Live II comes in the form of a chunky black built-in speaker sat across the full width of the hardware’s bottom edge. Equipped with a rechargeable battery for completely wireless operation, the Live really nailed the balance between self-sufficiency and versatility – stripped back enough to allow users to free themselves from the shackles of their studio computer while powerful enough not to leave them hankering after their DAW. The behemoth-like MPC X was the flagship, but the MPC Live was the standout.
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